Psychoanalysing your dog

Birthday (1942) Dorothea Tanning

I visited the Surréalisme exhibition in the Pompidou centre just before Christmas. It was wonderful seeing some of the massively famous works like Magritte’s L’Empire des lumières (1954) and of course various bits of Dalí. But even better were the surprises – and in particular Dorothea Tanning‘s work, which has an invitingly dark humour about it. Her first major painting, Birthday (1942) stopped me in my tracks. It is a self-portrait, and Tanning’s plaintive look out of the canvas is a big part of the work’s affect.

Since then I’ve discovered that another of her paintings, Tableau Vivant (1954) hangs at the National Gallery of Scotland in Edinburgh, so obviously I need to pay it a visit. Marcel Duhamel describes it as being “a bit like having psychanalyzed [sic] your dog, then illustrated the phase of ‘transference,’ to use the jargon.” Tanning replied that her dogs were loathe to be psychoanalyzed.

Tableau Vivant (1954) Dorothea Tanning

In Buñuel’s footsteps

I’m going to be in Toledo all next week attending the Conecta European TV networking event, and sticking around a couple of days afterwards for a little city break which will probably involve bicycles at some point.

When I mentioned to my friend Svitlana that I was going there, she told me the city was beloved by Luis Buñuel. A little digging, and it turns out before the Spanish Civil War, when they were all alive and on speaking terms, Buñuel, Dalí and Lorca visited Toledo and, “fascinated by the mysterious air it gave off,” were moved to invent their own semi-satirical religious order/artists collective, the Order of Toledo. More about it in this article by Roberto Majano.

The principle activity of the order was “to wander in search of personal adventures” and the induction ceremony was to be stranded alone in the darkness of Toldeo at the toll of the 1am bell. This reads to me very much like a precursor to the Situationist activity of dériving around Paris. Perhaps Guy Debord drew inspiration from Buñuel?

Bonus anecdote: Buñuel hired a sex worker in the city, not apparently for sex, but in order to hypnotise her, because surrealist research doesn’t have to answer to ethics committees.

Dots

Painting of Katrina on the wall of Mishka's, Tuesday 14th March 2006

As promised, here’s a photo of my first painting. Click on it for a bigger view. I made this piece in response to the cafe manager, Alli, declaring that the only art on display in the cafe during the month of March would be created by the staff. As I couldn’t rig up a projector or a plasma screen I couldn’t contribute a piece of video art, so I had to think of another way of getting at least one image onto the wall.