I wasn’t a huge fan of Beth Orton’s previous album, Daybreaker, but I’m back in love with her thanks to the new one, Comfort of Strangers. Produced by Jim O’Rourke, who’s been working with Wilco recently, it’s pure Beth stripped of the lavish arrangements that characterised Daybreaker. Consequently her voice returns to the fore, complete with its endearing quirks and occasional flashes of Naarfolk accent. Folksy.
I also treated myself to a long-overdue Django Reinhardt album, 1949’s Djangology, recorded in Rome with Stephane Grappelli. I’ve been using a version of Django’s Minor Swing to time my editing of the Varsity Documentary opening sequence. I’m not going to be able to use it in the final film for copyright reasons, so I hope the musician who’s helping me out will be able to deliver something with a similar feel and exactly the same timing!
I’ve been into Django since I was a little ‘un, thanks to Mum and David-Dad taking me to the Upton Jazz Festival every year. The event is always overburdened with mediocre old white beardy trad players, but there is always one stage dedicated to Hot Club style gypsy jazz, and that’s where we’d hang out. Over the years I’ve seen many, many excellent Djangologists, including Manouche gypsy Fapy Lafertin, but all of them had the use of all the fingers on their left hands (the tendons of Django’s pinkie and ring fingers were damaged in a caravan fire when he was eighteen). A couple of days ago I came across a video file of Django complete with a close-up on his two-fingered fretboard style. It was a pretty wonderful thing to behold.
Click here to see the movie, and click here to see where I got it from. The WFMU page also has a link to France Gall performing dirty old Serge Gainsbourg’s Poupee De Cire, Poupee De Son. Cracking.
